Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.
As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
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The official arrangement of the Russian national anthem, completed in 2001
Jeannette at Le Havre in 1878, prior to her departure for San Francisco in a trip that would see her round Cape Horn The Jeannetteexpedition of 1879–1881, officially called the U.S. Arctic Expedition, was an attempt led by George W. De Long to reach the North Pole by pioneering a route from the Pacific Ocean through the Bering Strait. The premise was that a temperate current, the Kuro Siwo, flowed northwards into the strait, providing a gateway to the hypothesized Open Polar Sea and thus to the pole.
This theory proved illusory; the expedition's ship, USS Jeannette and its crew of thirty-three men, was trapped by ice and drifted for nearly two years before she was crushed and sunk north of the Siberian coast. De Long then led his men on a perilous journey by sled, dragging the Jeannette'swhaleboat and two cutters, eventually switching to these small boats to sail for the Lena Delta in Siberia. During this journey, and in the subsequent weeks of wandering in Siberia before rescue, twenty of the ship's complement died, including De Long. (Full article...)
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Soviet and German deployments near Prokhorovka on the eve of the engagement of 12 July. Positions of the II SS-Panzer Corps are in blue; the red dashed line shows the position of Soviet forces directly opposing the SS-Panzer Corps. The black dashed line is the railway running from Prokhorovka southwest through the Psel corridor (the strip of land between the Psel River and a tributary of the Northern Donets River).
In April 1943, the German leadership began preparing for Operation Citadel, with the objective of enveloping and destroying the Soviet forces in the Kursk salient by attacking and breaking through the base of the salient from north and south simultaneously. The German offensive was delayed several times because of the vacillation of the leadership (Hitler repeatedly delayed launching the attack so that more Tiger tanks could be delivered to the front, hoping that a technical advantage would help him win the offensive) and the addition of more forces and new equipment. The Soviet high command, Stavka, had learned of the German intentions and so used the delay to prepare a series of defensive belts along the routes of the planned German offensive. The Soviet leadership also massed several armies deep behind their defences as the Stavka Reserve. The army group, the Steppe Front, was to launch counteroffensives once the German strength had dissipated. The 5th Guards Tank Army was the primary armoured formation of the Steppe Front. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
Poltava was salvaged after the Japanese captured Port Arthur and incorporated into the Imperial Japanese Navy. The ship, renamed Tango in Japanese service, participated in the Battle of Tsingtao in late 1914, during World War I. She was sold back to the Russians in 1916 and renamed Chesma as her original name was in use by another battleship. The ship became the flagship of the Russian Arctic Flotilla in 1917, and her crew supported the Bolsheviks later that year. Chesma was seized by the British in early 1918 when they intervened in the Russian Civil War, abandoned by them when they withdrew and scrapped by the Soviets in 1924. (Full article...)
The terrain complicated battle tactics for both sides, but the Russians and the Austrians, having arrived in the area first, were able to overcome many of its difficulties by strengthening a causeway between two small ponds. They had also devised a solution to Frederick's deadly modus operandi, the oblique order. Although Frederick's troops initially gained the upper hand in the battle, his limited scouting, combined with the strong defensive preparations of the Allied troops, gave the Russians and Austrians an advantage. By afternoon, when the combatants were exhausted, fresh Austrian troops thrown into the fray secured the Allied victory. (Full article...)
At the beginning of the Russo-Japanese War of 1904–1905, Petropavlovsk took part in the Battle of Port Arthur, where she was lightly damaged by Japanese shells and failed to score any hits in return. On 13 April 1904, the ship sank after striking one or more mines near Port Arthur, in northeast China. Casualties numbered 27 officers and 652 enlisted men, including Vice AdmiralStepan Makarov, the commander of the squadron, and the war artistVasily Vereshchagin. The arrival of the competent and aggressive Makarov after the Battle of Port Arthur had boosted Russian morale, which plummeted after his death. (Full article...)
Named for the siege of Sevastopol during the Crimean War, the ship was commissioned into the First Pacific Squadron of the Russian Pacific Fleet and was stationed at Port Arthur (today Lüshunkou District, Dalian, Liaoning, China), a Russian naval base acquired from China in 1898 as part of the Kwantung Leased Territory. One of the first ships to use Harvey nickel-steel armor and Popov radios, she displaced 11,854 long tons (12,044 t) at full load and was 369 feet (112.5 m) long overall, and mounted a main battery of four 12-inch (305 mm) guns in two twin turrets. She was laid down in May 1892, launched on 1 June 1895 and completed in 1899. Her sea trials lasted until 1900. (Full article...)
The region that formed the TDFR had been part of the Russian Empire. As the empire dissolved during the 1917 February Revolution and a provisional government took over, a similar body, called the Special Transcaucasian Committee (Ozakom), did the same in the Caucasus. After the October Revolution and rise of the Bolsheviks in Russia, the Transcaucasian Commissariat replaced the Ozakom. In March 1918, as the First World War continued, the Commissariat initiated peace talks with the Ottoman Empire, which had invaded the region, but the talks broke down quickly as the Ottomans refused to accept the authority of the Commissariat. The Treaty of Brest-Litovsk, which ended Russia's involvement in the war, conceded parts of the Transcaucasus to the Ottoman Empire, which pursued its invasion to take control of the territory. Faced with this imminent threat, on 22 April 1918 the Commissariat dissolved itself and established the TDFR as an independent state. A legislature, the Seim, was formed to direct negotiations with the Ottoman Empire, which had immediately recognized the state. (Full article...)
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
Kombat (Russian for 'battalion commander') is a black-and-white photograph by Soviet photographer Max Alpert. It depicts a Soviet military officer, armed with a TT pistol, raising his unit for an attack during World War II. This work is regarded as one of the most iconic Soviet World War II photographs, yet neither the date nor the subject is known with certainty. According to the most widely accepted version, it depicts junior politruk Aleksei Gordeyevich Yeryomenko, minutes before his death on 12 July 1942, in Voroshilovgrad Oblast, now part of Ukraine. The photograph is in the archives of RIA Novosti, a Russian state-owned news agency.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
The Sukhoi Superjet 100 is a modern fly-by-wiretwin-engineregional jet with 8 to 108 passenger seats. Development began in 2000; the aircraft had its maiden flight on 19 May 2008 and entered commercial service on 21 April 2011. This aircraft is seen flying off the coast of Italy near Sanremo.
Kikin Hall, commissioned by Alexander Kikin in 1714, is one of the oldest buildings in Saint Petersburg. Incomplete at the time of Kikin's execution, the building was seized by the Russian crown and used for a variety of purposes. In the 1950s, Irina Benois arranged for the restoration of the dilapidated building. It is now home to a music school.
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
Saint Basil's Cathedral is a church in Red Square in Moscow, Russia. It was built from 1555 to 1561 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. The city's tallest building until the completion of the Ivan the Great Bell Tower in 1600, the original building contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local saint Vasily (Basil). Although the Bolsheviks considered demolishing the church in the 1930s, it was spared. Since 1991 it has housed a branch of the State Historical Museum and hosted occasional church services.
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
Photograph credit: Arto Jousi; restored by Adam Cuerden
Yuri Gagarin (9 March 1934 – 27 March 1968) was a Soviet Air Forces pilot and cosmonaut who became the first human to journey into outer space; his capsule, Vostok 1, completed a single orbit of Earth on 12 April 1961. Gagarin became an international celebrity and was awarded many medals and titles, including Hero of the Soviet Union, his nation's highest honour. In 1967, he served as a member of the backup crew for the ill-fated Soyuz 1 mission, after which the Russian authorities, fearing for the safety of such an iconic figure, banned him from further spaceflights. However, he was killed the following year, when the MiG-15 training jet that he was piloting with his flight instructor Vladimir Seryogin crashed near the town of Kirzhach.
This photograph of Gagarin, dated July 1961, was taken at a press conference during a visit to Finland approximately three months after his spaceflight.
Born and raised in Georgia, in the Russian Empire, Ordzhonikidze joined the Bolsheviks at an early age and quickly rose within the ranks to become an important figure within the group. Arrested and imprisoned several times by the Russian police, he was in Siberian exile when the February Revolution began in 1917. Returning from exile, Ordzhonikidze took part in the October Revolution that brought the Bolsheviks to power. During the subsequent Civil War he played an active role as the leading Bolshevik in the Caucasus, overseeing the invasions of Azerbaijan, Armenia, and Georgia. He backed their union into the Transcaucasian Socialist Federative Soviet Republic (TSFSR), which helped form the Soviet Union in 1922 and served as the First Secretary of the TSFSR until 1926. (Full article...)
Complete equality of rights for all nations; the right of nations to self-determination; the unity of the workers of all nations—such is the national program that Marxism, the experience of the whole world, and the experience of Russia, teach the workers.
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