Alfred Grünwald (librettist)
Alfred Grünwald | |
---|---|
Born | Vienna, Austria | 16 February 1884
Died | 24 February 1951 Forest Hills, Queens, New York City | (aged 67)
Occupation | Librettist |
Years active | 1905–1945 |
Notable credit | Gräfin Mariza |
Spouse | Mila Löwenstein |
Children | Henry A. Grunwald |
Alfred Grünwald (1884–1951) was an Austrian author, librettist, and lyricist. Some of his better-known works were written in conjunction with the composers Franz Lehár, Emmerich Kálmán, Oscar Straus, Paul Abraham, and Robert Stolz.
Life and career
[edit]Grünwald was born on 16 February 1884 in Vienna. Following his schooling, he worked in a number of jobs, including as supernumerary, chorister, and for a theatrical agency, before turning to writing as theatre critic for a Vienna newspaper. From 1909, he wrote Kabarett sketches and librettos for operettas, often collaborating with Julius Brammer.
As a Jew, he was arrested after the Anschluss of Austria in 1938. When he was temporarily released, the family fled to Paris, then in 1940 via Casablanca and Lisbon to New York City.[1] During World War II he was employed for a time with the Office of War Information translating American songs for transmission by radio to Germany.
A number of Grünwald's librettos were produced on Broadway. These included Countess Maritza (1926), The Yankee Princess (1922), The Circus Princess (1927), and The Duchess of Chicago (1929). He also wrote a number of comedies, including Dancing Partner (1930), written in collaboration with Alexander Engel and produced on Broadway by David Belasco. He was a member of the American Society of Composers, Authors and Publishers.
Grünwald died on 24 February 1951 in Forest Hills, Queens, New York City.
His son Henry A. Grunwald was a journalist and diplomat (US ambassador to Austria from 1988 to 1990).[2]
Works
[edit]- 1908 Die lustigen Weiber von Wien, music by Robert Stolz
- 1912 Hoheit tanzt Walzer, music by Leo Ascher
- 1916 Die Rose von Stambul, collaboration with Julius Brammer, music by Leo Fall
- 1920 Der letzte Walzer (The Last Waltz), music by Oscar Straus
- 1924 Gräfin Mariza (Countess Maritza), music by Emmerich Kálmán
- 1926 Die Zirkusprinzessin (The Circus Princess), music by Emmerich Kálmán
- 1928 Die Herzogin von Chicago (The Duchess of Chicago), music by Emmerich Kálmán
- 1930 Dancing Partner (play)
- 1930 Viktoria und ihr Husar (Victoria and Her Hussar), with Fritz Löhner-Beda, music by Paul Abraham
- 1930 Das Veilchen vom Montmartre, music by Emmerich Kálmán
- 1931 Die Blume von Hawaii (The Flower of Hawaii), with Fritz Löhner-Beda, music by Paul Abraham
- 1932 Ball im Savoy, music by Paul Abraham
- 1932 Eine Frau, die weiß, was sie will (A Woman Who Knows What She Wants), music by Oscar Straus
- 1937 Die polnische Hochzeit, music by Joseph Beer
- 1954 Arizona Lady, music by Emmerich Kálmán
Filmography
[edit]- The Rose of Stamboul, directed by Felix Basch (Germany, 1919, silent)
- Countess Maritza, directed by Hans Steinhoff (Germany, 1925)
- The Circus Princess, directed by Adolf Gärtner (Germany, 1925)
- Her Highness Dances the Waltz, directed by Fritz Freisler (Austria, 1926)
- The Laughing Husband, directed by Rudolf Walther-Fein and Rudolf Dworsky (Germany, 1926)
- The Last Waltz, directed by Arthur Robison (Germany, 1927)
- The Circus Princess, directed by Victor Janson (Germany, 1929)
- The Merry Wives of Vienna, directed by Géza von Bolváry (Germany, 1931)
- Just a Gigolo, directed by Jack Conway (1931, based on Dancing Partners)
- Victoria and Her Hussar, directed by Richard Oswald (Germany, 1931)
- Gräfin Mariza, directed by Richard Oswald (Germany, 1932)
- The Flower of Hawaii, directed by Richard Oswald (Germany, 1933)
- A Woman Who Knows What She Wants, directed by Václav Binovec (Czechoslovakia, 1934)
- A Woman Who Knows What She Wants, directed by Victor Janson (Germany, 1934)
- The Last Waltz, directed by Georg Jacoby (Germany, 1934)
- Ball im Savoy, directed by Steve Sekely (Austria, 1935)
- Her Highness Dances the Waltz, directed by Max Neufeld (Austria, 1935, based on Hoheit tanzt Walzer)
- Tanecek panny márinky, directed by Max Neufeld (Czechoslovakia, 1935, based on Hoheit tanzt Walzer)
- Valse éternelle, directed by Max Neufeld (France, 1936, based on Hoheit tanzt Walzer)
- Dschainah, das Mädchen aus dem Tanzhaus, directed by Vilmos Gyimes (Austria, 1935)
- The Last Waltz, directed by Leo Mittler (France, 1936)
- The Last Waltz, directed by Leo Mittler (UK, 1936)
- Ball at Savoy, directed by Victor Hanbury (UK, 1936)
- 3 : 1 a szerelem javára , directed by Johann von Vásáry (Hungary, 1937)
- Roxy and the Wonderteam, directed by Johann von Vásáry (Austria, 1938)
- The Rose of Stamboul, directed by Karl Anton (West Germany, 1953)
- The Last Waltz, directed by Arthur Maria Rabenalt (West Germany, 1953)
- Victoria and Her Hussar, directed by Rudolf Schündler (West Germany, 1954)
- Ball im Savoy, directed by Paul Martin (West Germany, 1955)
- A Woman Who Knows What She Wants, directed by Arthur Maria Rabenalt (West Germany, 1958)
- Mister Iks, directed by Yuliy Khmelnitsky (Soviet Union, 1958, based on Die Zirkusprinzessin)
- Gräfin Mariza, directed by Rudolf Schündler (West Germany, 1958)
- The Circus Princess, directed by Svetlana Druzhinina (Soviet Union, 1982)
References
[edit]- ^ Stefan Frey (2016): "Alfred Grünwald", Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit (in German)
- ^ Barbara Boisits (2003): "Grünwald, Alfred", Oesterreichisches Musiklexikon doi:10.1553/0x0001cfd3
External links
[edit]- Media related to Alfred Grünwald at Wikimedia Commons
- Alfred Grunwald papers, 1907–2004, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
- Alfred Grünwald at the Internet Broadway Database
- Alfred Grünwald at IMDb